With over a decade of experience on stage and in studio using digital and analog soundboards, I have the built up the skills to handle any situation on or off stage to make your production come to life. Certifications in ProTools and Logic, as well as extensive experience with StudioOne (now Fender Pro Studio), Adobe Audition, and many more DAWs, allows me to easily jump into any session, be it live, recorded, or both, smoothly.
Certifications & Awards:
Dante Networking
Protools Operator
Grammy Win (+5 nominations)
Live Engineering
FOH, Monitors, and Recording Live Performances
From setting the stage to breaking down when the job is done, I specialize in recording and mixing live performances, capturing the energy and authenticity of the stage in real time. With experience as both a recording engineer and front-of-house engineer, I’ve worked at both festivals and local venues with artists spanning blues, jazz, funk, zydeco, brass bands, and reggae. My focus is on delivering rich, dynamic sound that reflects the soul of each performance — whether it’s mixing for the crowd or recording and mixing pristine live recordings that bring listeners right into the room.
Studio Engineer
Recording, Mixing, Mastering
I’m a professional studio recording, mixing, and mastering engineer with a passion for capturing the energy and emotion behind every performance. Over the years, I’ve worked with artists across a diverse spectrum — blues, pop, metal, jazz, brass, and funk — helping each find a sound that reflects their unique identity.
My workflow bridges the best of both worlds: the warmth and character of outboard hardware with the precision and flexibility of modern in-the-box mixing. I’m a certified Pro Tools operator and also fluent in Studio One, Logic Pro, GarageBand, and Audacity.
Whether I’m tracking a live band, polishing a final master, or sculpting a mix to sit perfectly in the stereo field, my goal remains the same — to deliver professional, dynamic, and emotionally powerful recordings that connect with listeners and stand the test of time.
GEAR LIST
Interfaces: Scarlet 2i2 , UA Arrow, Presonus 1018c, Avid HD Carbon
Outboard Pres: Carbon Pre, Audient EVO SP8, Audioscape Golden 58, Pope Audio Bax, Cranborne Camden, Midas, JHS Color Box V2(N1073).
Compressors: BLA 1176, V3A, PCA-2A, Audioscape G-Buss, Templo FETs,
Mics: SM57s, SM58s, Audix OM2, Shure Beta 57, Shure Beta58, Beta 52, BA-19, Shure Super55*, e604, e609, Green Bullet, Bluebird*, Blue Hummingbird pair, Vanguard V4 pair, Vanguard V44S, LewitLG 140 pair, Vanguard V1S pair, Blue Ember* pair, ART active Ribbon, and more
Guitar/Bass Amps: Orange Tiny Terror*, Orange Crush Bass, Orange Crush, Benson Vincent, Benson B700, Benson Vinny, Supro RK, Fender Deluxe Reverb Custom 68*, Fender Excelsior
Other Outboard Gear: SSL UltraViolet, IGS RB500, AS MEQ, Cranborne Carnaby pair, Benson Studio Tall Bird, Meris Ottobit, Radial Reamper, AS DI box, Radial Stereo DI, Radial Jenson DI, Radial stereo AV box, and more
Software: Izotope RX 11, Logic ProX, ProTools, StudioOne 7, Melodyne, Adobe PremierePro, Illustrator, & Rush.
*=custom modified by me to fit my specific audio needs